The famous one "Know yourself" of Montaigne, the use of a support
therapeuthic allows to reach to a better frequentation of oneself
opened out. The idea is not to aim at a "whole controls". A contrario,
it is a question of letting come to the reading of the day, of the
residues hidden in order to transform them into active tools; the goal
being to become entirely oneself, present at the life.

Some is the language used, the word operates in sharp subject, a
delivery. From this point of view, to accomodate a word opposite with
face or written remotely by malls, or a drawn or painted word, returns
in all the cases, with having to reflect a speech as a mirror would do
it. The question is to accompany any person, according to the medium
adapted best, most familiar, gravitational.

The processes of exchange and support remain the same ones. The
techniques of analyses are revived as much than they are carried out
by successive traces.

The progression of the path traversed with the wire of time evolves
initially to the satisfaction of a constrcution.

Then it is then blocked and diverted, under the effect of residues
whose one did not have to anticipate the unconscious activity.


"the words fly away... The writings remain ". In this direction a
traditional psychoanalysis often stammers with time.

By choosing a support which leaves traces, the process of
déconstruction of a personal history finds ipso facto a regrouping,
an immediate readable manner to restick pieces end to end, to seize
again visu, forgotten stakes.

To repeat, demolish, remake, in the last analysis, are standardized.
And by this movement, is built a work gradually, with the artistic
paces.

It becomes obvious that one approaches the act to create, while giving
to see the inventory of a singular world, where the Subject is
recognized entire projected.

The practice of an art is naturally a catharsis. It takes place by the
crossing of a gate like that of Alice, to remake itself, like the
player who risks still and still his chance to repair, to rebuild his
setting. The artist does not feel different from those with which it
gives to see or to hear what it creates. Simply, he knows this kind of
temporary fright which removes neither the clearness of its vision to
him, nor the safety of its feature, but spreads it beyond itself, in
an abandonment that collects its fabric and which will do of it what
others will call "a work". He does not know that it is a work; it
knows just that what it tested is without measurement, does not have a
name, does not support any comment. It followed a breath which passes
fertile, and moves away. That he is a painter, poet, sculptor or
musician do not change anything with the creative experiment into his
bottom. It is well why the painter can pass to the writing,
philosophize or decide constantly of his course, to adapt the tools
which inspire it. Arts are dialects of the same original and quiet
language, but which always speaks in the heart about work. The
art-therapy is a transitional space, the field of greeting in
extension of the claissic therapies, where the words come from the
creative experiment, beacons, buoys, reference marks install. The
art-therapy reflects a kind of card intimate, returns visu, the layout
of an operation which is read, gets along, is given to see. In this
direction, the deployed word materializes, incarnates the
identity of the subject which is questioned and in the act, is thus
rebuilt, remade, as on a green carpet. To follow....